The pioneering independent filmmaker Ann On-wah Hui has drawn much acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a career spanning three decades, Hui has been director, producer, writer, and actress for more than thirty films. This work analyzes a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties, and generational reconciliation resonated strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favorite among returning Hong Kong emigrants and international cinema students alike.